Summer Beat · SS 2026
Some summers you can hear.
Look at it long enough and the circles begin to move. Pink against green, rows that refuse to sit still — the flicker of sunlight through leaves that never stop turning.
BeoPlay A9 — 70 cm across, and the first thing the room says
I · The colour
Pink and green were never supposed to be easy.
They sit almost opposite one another, which is why for decades the pairing was left to gardens and to the 1970s. Then Prada put it back on the runway for SS26, and within a season interiors followed — powder pink against a green that runs from smoky olive to soft celadon.
What makes it work is precisely the difficulty: neither colour recedes. Put them together and the surface refuses to settle into background. On a speaker — an object you cannot push to the edge of a room — that refusal is the point.
A pattern only becomes a rhythm when it repeats long enough for you to expect the next one.
Beosound Shape — one hexagonal tile, repeated until it becomes a wall
II · The pattern
Geometry has been exiled twice, and it keeps coming back.
It ruled the 1920s as Art Deco, returned in the 1980s, then the late nineties decided that minimalism had no room for it. 2026 brings it back a third time — but softer. The current revival favours hand-drawn lines, blurred grids and motifs that admit their own imperfection: craft over digital precision.
Summer Beat sits on that line deliberately. The grid is strict — circles on a fixed pitch, wave after wave — but the colour inside each circle shifts as it goes, so the eye keeps finding the edge of the repeat and losing it again.
Beosound Theatre — 122 cm, the widest surface in most living rooms
Beosound Stage — 110 cm, and rarely looked at until now
III · The surface
The cheapest way to change a room is to change the thing you look at most.
A speaker is one of the few objects that cannot be moved to the edge. It faces into the room by definition. And yet it is almost always the last surface anyone thinks to reconsider — long after the walls, the sofa and the rug have been through three ideas.
On the A9, a cover changes 70 centimetres of that surface in about a minute, and leaves no trace: the original front goes back in the box. The fabric is acoustically transparent, so nothing sits between the driver and the room.
Beosound Level — the one that moves from room to room
BeoLab 8 — small enough to be missed, until it isn't
Summer Beat, in fifteen seconds.
The circles hold still; the light doesn't — which is how the pattern was drawn in the first place.
The edition · six speakers
Bring your own, with Tegrino Designer.
Every cover here started as a file. Yours can too — upload an image and we cut it to the same geometry, for any Bang & Olufsen speaker we make for.
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